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Both accounts were registered four months ago. Both accounts post memes with short, vague titles. The account oursenilepresident hasn't posted in three months. Leafa stopped posting several hours ago, and oursenilepresident is spamming the front page with lazy memes with short titles.

Just sayin'. If I'm wrong, I'm wrong, and I'll say so if I am, but I see a pattern.

Edit: He's been spamming the front page with memes for the last several hours.

One of the most beautiful cello solos ever written.

I'm old enough to remember these movies come to the theaters and they *seriously* contrasted with the kind of movies that usually played. I never saw any of them because I wasn't old enough, and it's a good thing too, because they probably would have messed me up.

The movie that started the "blaxsploitation" craze was "Sweet Sweetback's Baadasssss Song" by Melvin Van Peebles. From IMDB, this is the description:

>Sweet Sweetback is a black orphan who, having grown up in a brothel, now works there as part of a sex show. When the police need a patsy for a murder in the black community, His employer gives him up to two white cops, whom he ends up killing. Suddenly the target of a massive manhunt, he decides to flee to Mexico. As he makes his way there, he is captured by, and escapes from, both the cops and a chapter of the Hell's Angels.

Charming. Van Peebles made some money by acting in the movie "Watermelon Man", and decided to fund and make a movie for his own people. This was the message that he though would resonate with black audience, and apparently he was correct, because it was enormously popular.

His son, Mario Van Peebles, who appeared in his father's movie as a child, made a documentary about it called "Baadasssss!". It's actually a decent documentary and worth watching, if only to learn how niggers think.

In no time, garbage movies like "Shaft" and "Super Fly" crowded the theaters at 42nd Street. Such movies gave White Americans the idea that all niggers lived in ghettos, which all looked like Harlem in NYC, and that the "only way out" was to become a pimp or a pusher. They always blamed "the [White] man" and taught niggers in the 1970s how to become professional victims.

There were White men who came from nothing, went to Hollywood, and in time made great movies worth watching. When niggers finally had the opportunity to make their own movies, they made garbage. And they wondered why they were barred from making movies under the Hollywood studio system for so long. That's why.

They both have the same crappy taste in music, and it really seems to be the kind of stuff P_N seems to enjoy.

"The Book of Matt" by Stephen Jimenez is an excellent piece of investigative journalism. Jimenez originally started with the story believing the narrative that Shepherd was killed by rednecks because he was homosexual. His book was roundly condemned by faggots who never read it but objected only because it painted a different and very unflattering picture of their dead faggot martyr.

You can always trust the left, and especially faggots, to lie when it's convenient for them. Nevertheless, one has to give credit to the journalist Jimenez. He is homosexual, yet the pursued the real story and told the truth regardless of the cost, receiving a tremendous backlash in the process.

This was written by a big ol' lefty commie named Utah Phillips, more frequently remembered by his telling the "moose turd pie" joke played on the Dr. Demento Show for many years. You can find recordings on jewtube of him performing the song, but I think Ian Tyson's version is beautiful and I prefer it.

I saw Utah Phillips perform live in -- where else? -- Santa Cruz, California about two decades ago. He was a good songwriter and a great storyteller, but a huge commie. He advocated for the Wobblies (IWW) and "direct action", i.e., the sort of tactics described by Saul Alinsky in "Rules for Radicals". Utah did a lot of other music, but I won't listen to it because I have a hard time separating the art from the artist.

You can find a download of it here:

https://1lib.us/book/5157262/a83b24

But I know some of you would like a printed copy. You can order from the publisher here:

https://blackwells.co.uk/bookshop/product/Breaking-the-Spell-by-Nicholas-Kollerstrom-author/9781591482284

Or you can find a used copy on Bookfinder, but every copy I see there is priced higher than a new copy from the publisher.

This is the book's description from the publisher's web site:

In 1941, British Intelligence analysts cracked the German "Enigma" code. This undermined the German war effort - but also threw new light on day-by-day events in the Nazi concentration camp system. Between January 1942 and January 1943, encrypted radio communications between those camps and the Berlin headquarters were intercepted and decrypted. Oddly enough, historians have largely ignored the information furnished in these intercepts relating to "arrivals," "departures," recorded deaths and other events at these camps. The only reasonable explanation for this embarrassing omission is that the intercepted data seriously contradicts, even refutes, the orthodox "Holocaust" narrative. The revealed information does not expose a program of mass murder and racial genocide. Quite the opposite: it reveals that the Germans were determined, desperate even, to reduce the death rate in their work camps, which was caused by catastrophic typhus epidemics.

Were the British here hoodwinked by the Nazis, as some historians to this day try to claim-or is the truth both simpler and more shocking?

In 1988 and 1991 forensic studies threw light on the question of whether or not the claimed gas chambers at Auschwitz had served as slaughter houses for hundreds of thousands of people. Both studies had concluded that the only facilities where Zyklon B gas had been used were hygienic rather than homicidal, killing bugs rather than Jews. Needless to say that these iconoclastic studies were ignored or in some countries even outlawed, and that their authors were ostracized and even imprisoned.

Dr. Kollerstrom, a science historian, has taken these studies, which are in obvious, stark contrast to the widely accepted narrative, as a starting point for his own endeavour into the land of taboo. After he had published a brief paper summarizing what he thought the data forced him to conclude, he was thrown out of his College where he had been a member of staff for eleven years.

In his book Breaking the Spell, Dr. Kollerstrom shows that "witness statements" supporting the human gas chamber narrative clearly clash with the available scientific data. He juxtaposes the commonly accepted ideas about a Nazi extermination policy toward the Jews with a wide array of mostly unchallenged, but usually unmentioned evidence pointing in a quite different direction, for instance:

- Zyklon B is a buzz word for the claimed Nazi mass murder, but all non-anecdotal evidence proves that this chemical was merely used as a pesticide in order to improve the inmates' health and reduce, not increase, camp mortality.
- Zyklon B applied in delousing chambers formed chemical compounds detectable to this day. No such compounds can be found, but ought to be expected, in the claimed homicidal gas chambers.
- The UK's intelligence decrypts prove that the German camp authorities were desperately trying to save their inmates' lives.
- "Six Million Jews threatened or killed" read 167 quotes from newspapers with that "news" spanning from 1900 to 1945, with a peak after World War ONE! Yes, one, not two!
- Germany has paid compensation to millions of Nazi victims, and Israel has implicitly admitted that many million Jews survived the Holocaust.
- A British archaeological team looked for traces of the claimed 800,000 victims of the Treblinka camp-and came back empty-handed.

Dr. Kollerstrom concludes that the history of the Nazi "Holocaust" has been written by the victors with ulterior motives and that this history is distorted, exaggerated and largely wrong. He asserts that this history is, in truth, a great lie that distorts our common perceived reality and misdirects human history to this very day.

With a foreword by Prof. Dr. James H. Fetzer; contains a bibliography and an index.

Please don't jump to conclusions. I'm more amused than anything else. Here's the context:

This is a well-intentioned gift from my mother. She's a Jehovah's Witness. They tend to be fairly sympathetic to jews for reasons I don't understand. She also appreciates some aspects of jewish culture (particularly performance, such as music and theater), although she's quite aware of their reputation as greedy and obnoxious. I think she just overlooks that part to quiet her cognitive dissonance. She has no idea of the disgust and hatred I feel toward the fucking kikes, and she never will.

I will never talk to her about the JQ. She's in her 90s, and I see no reason to bring any unpleasantness to our relationship. She's just delighted that at long last I returned to God and Christianity (not the JWs, though), and that's how I want it to stay. I love my mom, she's a sweet lady, and the less she knows, the better.

On the plus side, at least it's Belgian chocolate, which I think is the finest anywhere.

https://www.imdb.com/title/tt12286260/

These aren't reviews based on the trailer or previews. These are reviews posted on or after December 2, the day the eight episodes premiered. People are disgusted, offended, and feel insulted. They're emphatic that it's in bad taste and needlessly degrades a popular cultural observation. This is the first review one sees: "Even if you arent religious and don't care about Christmas, the show is still garbage. I really wish people didn't feel the need to make every single thing political. I dont see Sarah Silverman or Seth Rogstein coming back from this one."

It's nearly all jews in the production except for a few token ethnics -- just one White man in the cast, which is not surprising.

I saw only one reviewer name the jew:

**"Two Jewish actors lead a Christmas show to insult white Christians**
"At it's core, it is not just a raunchy adult comedy take on traditional Christmas, nor is it just a bad take. The issue is it's intentions are about forcing politically woke ideology upon a specific demographic of viewers by offending them. The objective of the show is so poorly guised as humor, viewers will probably feel like they acquired x-ray vision superpowers because they can see right through the charade."

That's exactly what most people think about this. It's a shame so few don't want to name the jew.

From his time at SNL:

"Earlier this week, Marlon Brando met with Jewish leaders to apologize for comments he made on Larry King Live, among them that “Hollywood is run by Jews.” The Jewish leaders accepted the actor’s apology and announced that Brando is now free to work again."

RIP Norm MacDonald

Edit: Lotta Norm fans here, I see. He was one of a kind. If you haven't read his book "Based on a True Story", it's totally worth your while. The joke I posted above was one of his favorites too, and he included it in the book.

Stan Rogers performing "Witch of the Westmoreland" by Archie Fisher

From his album "The Point!", music from the animated film.