I'm a cinephile since the 70's. I know all the movie release dates. I have noticed that movie release dates are changed now. I don't know why, but it's obvious that the kikes are gaslighting people with fake movie release dates. Bloggers and movie sites are repeating the fake info from internet. If you know cinephiles from old times like me, they can tell you the same thing.
I remember 4 right now. The Getaway (1972), The Whole Nine Yards (2000), Old School (2003), and Lucky Number Slevin (2006). All scenes with betryal are hilarious. They show a cheating partner can even kill you, therefore it makes sense the cheating wives were being killed in ancient times. If you don't want revenge on cheating partner, you are a cuck.
In the Spanish movie Volver (2006), she lets literally suck her nipples, becoming hard for real. It's basically a soft porn movie about incest and other shit. Her husband, Javier Bardem, also starred in a Spanish soft porn movie Las Edades de Lulú (1990), where he played a homosexual rapist. This really pisses me off, because physically she looks like a nice person. Fuck cognitive dissonance.
Requiem for a Dream (2000) is great anti-drugs movie. It shows how much drugs are dangerous and how much they ruin the life of junkies. Recommended to watch for young adults unaware cabout the danger.
Welcome to the future! Where the pursuit of unending joy comes with hidden costs. This retro futuristic metropolis has many hidden wonders you won't want to miss out on!
Interesting movie which gets me thinking on it's somewhat sympathetic or malevolent portrayal of both militia groups, government ineptitude, and media slander, after the crackdown on militias in the 90s (though they get portrayed the most ridiculous).
Like a programmed prelude to the post 9/11 world, eliminating any trust in an institution or civilian movement.
I always thought the movie was good for the genre it was.
Lone cop, doesn't follow the rules but gets results and punches some guy in the face at the end that we all wanted to punch in the face at the beginning.
