I recall after the Maidan there were spoofy maps of Ukraine. The swastika flag was superimposed over Galicia. You can't be in love with Stepan Bandera and not credibly be regarded as fash.
One reason why Ukranian nationalists were so popular at Iron March, even with a Russian admin like Slavros, was because they carried white power insignia into conflict with Ukrainian security forces. Indeed, the most famous cover of Siege is the Iron March edition featuring a scene from Euromaidan:
Just a concise thought. Based Pope John Paul II was shot. Woke Pope Francis was untouchable until death. Have you noticed that only based people get harmed, while degenerates don't until natural death?
Carriers (2009) & The Crazies (2010): Intelligent Horror After 70s Idiocy
The 1970s horror scene often churned out films with idiotic plots and characters that frustrated discerning viewers. Movies like The Texas Chain Saw Massacre (1974) or I Spit on Your Grave (1978) leaned on shock, with flimsy narratives—random slaughter, implausible survival—and characters making baffling choices, like wandering alone into danger. These films, though iconic, often left cinephiles wanting psychological depth and logic.
Carriers (2009), directed by David and Àlex Pastor, and The Crazies (2010), directed by Breck Eisner, redefine horror for intelligent audiences. Carriers (2009) tracks four survivors in a viral pandemic, its plot weaving moral complexity—e.g., abandoning the infected versus preserving humanity—without cheap scares. Characters like Brian (Chris Pine) and Danny (Lou Taylor Pucci) are rational yet flawed, making calculated choices that reflect real dilemmas, driving a grounded narrative.
The Crazies (2010), a remake of the 1973 original, focuses on a town poisoned by a biological weapon. Sheriff David (Timothy Olyphant) investigates with clear-headed resolve, while characters organize resistance and question authority, acting with intelligence. The tension arises from plausible human behavior and systemic breakdowns, not arbitrary chaos.
Unlike 1970s horror’s gore and stupidity, Carriers (2009) and The Crazies (2010) offer nuanced narratives and characters who think and grapple with ethical weight. These films satisfy cinephiles’ hunger for horror that respects their intelligence, blending cerebral depth with visceral chills.
I put this on for background noise but this one drew me in. This cunt is sooo insufferable. You get to watch her belief system collapse in real time and her subsequent breakdown and rage quit.
