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"Otto Kahn, (1869-1934) was a partner with Jacob Schiff and Paul Warburg in America's most influential investment bank Kuhn Loeb ."

"Asked why bankers would back Bolshevism, a system supposedly inimical to private ownership, Kahn tugged on his enormous cigar and explained that the bankers create apparent opposites to "remake the world" according to their specifications:

"You say that Marxism is the very antithesis of capitalism, which is equally sacred to us. It is precisely for this reason that they are direct opposites to one another, that they put into our hands the two poles of this planet and allow us to be its axis. These two contraries, like Bolshevism and ourselves, find their identity in the International

"These opposites ... meet again in the identity of their purpose and end in the remaking of the world from above by the control of riches, and from below by revolution.
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"This is achieved by a Hegelian dialectical process of creating adversaries (thesis-antithesis) and achieving a synthesis that corresponds to their goals. In the process, potential opponents are eliminated.

COMMUNISM-CAPITALISM

In the Red Symphony revelation, insider Christian Rakovsky showed how Communism and Capitalism were part of this dialectical process. In each case, the Illuminati Jewish banking cartel controls all wealth and power.

"In Moscow, there is Communism: in New York capitalism. It is all the same as the thesis and antithesis. Analyze both. Moscow is subjective Communism but [objectively] State capitalism. New York: Capitalism is subjective, but Communism objective. A personal synthesis, truth: the Financial International, the Capitalist Communist one. 'They.' "

In the USSR, the State owned the corporations and the bankers owned the State, i.e. State Capitalism. The US also has Communism objectively because the same bankers control most of the corporations."
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"NOTE:

Otto Kahn also exemplifies how these bankers create reality by controlling what passes for culture. Kahn financed many movies and virtually created New York's Metropolitan Opera. He was responsible for introducing Stanislavski, Nijinski, the Abbey Players, the Moscow Art Theater, and practically every other important personage and event in the most vigorous era of American theatrical history. He subsidized, sponsored, and had close relationships with Toscanini, Caruso, Chaliapin, Pavlova, Pirandello, Eugene O'Neill, Paul Robeson, Grace Moore, and hundreds of other artists whose names are now part of that history.

Apparent to all with eyes to see, their satanic agenda includes destroying marriage and family and mainstreaming satanism, homosexuality, pornography, promiscuity, pederasty, and incest."

http://www.henrymakow.com/geneva_versus_peace.html