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White people nigger lovers fawning over black musicians ..

They always liked the soul.
They always hated the nigger.

The soul is nostalgia for classists..they get misty remembering when they had one and it makes them feel less like the reptile they are.
So the nigger musician, dressed up nice and safely on stage with a crowd of whites between you and him...he is an accessible hero.
That same nigger the next day ina t-shirt on the street makes those faux nigger lovers cross the street to be safe.

It was never about the nigger. It was about soulless people finding emotion through music so they could emulate being human.

SRV played better than Jimi Hendrix.

But you can virtue signal having a soul by preferring Jimi.

Niggers are toys for reptiles that wish they could human.

Music is a toy for niggers that wished they were human.

...see the kindred spirits meeting?

Jews and niggers....the sad inhuman outcasts...

Brothers in FAIL.

Dude, when some smelly animal thing is able to be trained to the point where it can perform something resembling music, people are just naturally impressed! Like seeing an elephant paint in watercolors or something.

The closest thing to "BAROQUE" that a nigger could come up with is a stupid nigger named "Barry (sotoro)" ie barack obama...niggers would gaze at a music score upside-down thinking that it was an arrest warrant.

The great thing about those genres of music is that blues/jazz came from white impressionist composers’ patterns and ideas.

Any time people listen to that 20th century and beyond music, they are fawning over white 19th century music.

Let that sink in, my nigger. Modern music rearrangement of 19th century creation is just that - repurposed white music made by people without any more ideas.

“The riff” and these other loopable ideas came about from even before the baroque period! Sure, the instrument and sound has changed (still, more white inventions!) but the fundamental structure is still 19th century white European.

Led Zeppelin and their cover bands are slipping and losing control of attention; the orchestral composition is still the apex of musical achievement in a musicians life.

Thaddeus Russell in Renegade History wrote about the long history of cultural miscegenation in the United States, from early settlers ‘Gone Native’ to Jewish minstrels wearing black face. He writes, in agreement with Thomas Sowell and the facts, Southern Black culture was derived from Southern England and Scottish cultures. While African tastes favored a licentious divorce from the Waltz and whorehouse two-step, it was Blacks forever at the boundary of White culture which debased music from its complexity and traditions to the American Rebellion of Continental culture.

Niggers are minstrels created for entertainment purposes only.

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