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I'm posting this because I told @Yargiyankooli I would suggest some things. I've been listening to orchestral music since the early 70s. I hadn't even started to notice girls when I discovered orchestral music and realized how much I liked it.

I'll start by saying that conductors who are the of the same nationality as the composer are the best interpreters of the music. Russian music is best performed by Russians. Gennady Rozhdestvensky was an excellent conductor of Tchaikovsky, particularly "Swan Lake". Herbert Von Karajan was an excellent German conductor and conducts the German composers brilliantly. French conductors seem to understand French composers best, etc.

You get the idea. Just make sure you look at a conductor's early history before you get one of his albums. Note that George Solti was a jew. He was a good conductor, especially for Bartok, but I can't listen to him any longer for that reason. And I just can't stand Leonard Bernstein because he was both a kike and a faggot.

Now, some recommendations. These are good for the new listener. Some of this you can find on jewtube.

Karl Richter's performance of Handel's "Messiah" with the London Philharmonic Orchestra is without question the best. It's easy to find if you do a search for those search terms. I have it on vinyl, with a paining by Salvador Dali on the front cover of the crucified Christ, but I also have it on DVD. Highly recommended.

Bizet's "Carmen" is the greatest opera ever written. Look for a version performed as opéra comique, which is where the musical segments are separated by spoken dialogue. Try to avoid a version with recitative, which is where the dialogue is sung rather than spoken.

"The Planets" by Holst should be familiar to most people. Very moving and inspirational.

I've always liked "The Grand Canyon Suite" by Ferde Grofe. It's the music used in the train ride at Disneyland during the Grand Canyon sequence.

Anything by Bach is perfect in every way, but his Brandenburg Concertos are lovely and very accessible.

"Symphonie Fantastique" by Hector Berlioz is surrealistic and strange but moving and captivating. One of the movements is in 5/4 time, unusual at the time.

"Scheherazade" by Nikolai Rimsky-Korsakov is long, but lyrical and beautiful. It can be described as a tone poem that expresses the feeling of the various stories in the series of books "A Thousand Nights and a Night".

The Peer Gynt Suite by Edvard Grieg, which is the incidental music for the play "Peer Gynt" is lyrical and beautifully harmonious. You'll hear quite a lot that will be familiar to you.

Tchaikovsky's "Nutcracker" is an old and familiar stand-by, famous for good reason. It's accessible, fun, and has the composer's usual lush orchestration. If you're up to heavier stuff, try his First Piano Concerto. His Symphony #6 is very melancholy, and one of the movements is also in 5/4, but it requires some listening to appreciate it.

Prokofiev was a Russian modernist who wrote lyrically with some integrated dissonance, a bit jarring sometimes, but it works. His easier works are the Lieutenant Kije suite, music he wrote for a Russian film, his Symphony #1, called his "Classical" symphony, and "Peter and the Wolf". If you listen to the latter, listen to a version with the narration first so you understand the story and the breakdown of the instrumentation, and then find a version without the narration.

Aram Khachaturian was very much a modernist, and a nationalist commie as was Prokofiev, but neither of them were jews. His most famous work is the ballet "Gayeneh" or "Gayane". It has the "Sabre Dance", which you have probably heard before.

That's enough for now. I just turned the soil for the first row, and there's much, more to add, but I don't want to make this too long. If anyone has other good recommendations that could be accessible to the new listener, please feel free.