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You don't yank on Superman's cape, 'cause now he'll slap you with his purse!

I think many share that sentiment. Croce seemed to have that ability to write songs that touched people. Here's some background on the song:

Jim Croce wrote this song the night that he found out his wife, Ingrid, was pregnant. The couple had been married for five years, and Ingrid found out she was pregnant when she went to a fertility specialist. She recalls a mix of terror and delight in Jim's reaction when she told him the news. The child was a boy named Adrian, who grew up to become the singer-songwriter A.J. Croce. This hit #1 14 weeks after Croce was killed in a plane crash. Croce started touring after he completed I Got A Name. On September 30, 1973 a plane carrying Croce and five other people crashed upon takeoff as he was leaving one college venue to another 70 miles away. No one survived the accident, and among those killed was Maury Muehleisen, who played guitar on Croce's albums. Terry Cashman, who produced Croce, said, "Jim and Maury got together and all of the sudden Jim started writing these great songs, and Maury came up with these really wonderful guitar parts - the two guitars were like an orchestra."

The arrangement features a harpsichord that producer Tommy West discovered had been left in the mixing studio:

"The night before we were going to mix, I was watching a horror movie on TV, and something must have lodged in my brain because when I walked into the studio the next day, I saw this harpsichord sitting in a corner and got an idea. A jingle company had used it on a session and in walked a couple of guys from SIR [Studio Instruments Rental] to haul it away. I asked them to take a lunch break and told Bruce to put a couple of mics on it. He was whining that it was out of tune, but I asked him to let me try something. I added two tracks of harpsichord, told the movers they could remove it, walked into Jerry's office and asked if I could borrow the electric bass that was sitting on his couch, played that on just the second verse and the outro, and that was that! Radio compression worked in our favor on that record. It made the harpsichord blend with the two guitars in an unusual way. But we thought this record would only be an album cut."