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This archetypal American high-school teen love song was composed by Gary Geld and lyricist Peter Udell. The duo began their writing partnership in the early sixties and wrote over 100 songs together. One of their first songs was this, which they wrote in 1960 and was a hit for Brian Hyland two years later. Bryan recalls Geld saying the song was "based on, but not totally based on, a Bach finger exercise."

Hyland said in "1000 UK #1 Hits by Jon Kutner and Spencer Leigh", "Sealed With A Kiss" was recorded about a year before I did it by The Four Voices, who had a sound like The Brothers Four. It dragged and didn't have any life in it, so it wasn't a hit. I told them we should do it."

Brian Hyland's puppy-love pop virtually defined the sound and sensibility of bubblegum during the pre-Beatles era. In the years after his teen idol stature faded, he enjoyed a creative renaissance, releasing a series of underrated country-inspired efforts and even making a brief return to the pop charts.

Born November 12, 1943, in Brooklyn, NY, Hyland studied guitar and clarinet while singing in his church choir. At 14 he co-founded a harmony group dubbed the Delfis, which cut a demo they shopped to various New York City record labels. Hyland ultimately signed as a solo artist to Kapp Records, and in late 1959 issued his debut single, "Rosemary." For the follow-up, "Four Little Heels (The Clickety Clack Song)," the label paired him with the Brill Building songwriting duo of Lee Pockriss and Paul Vance, and when the single proved a minor hit, Pockriss and Vance set to work on the follow-up. The resulting "Itsy Bitsy Teeny Weenie Yellow Polka Dot Bikini" topped the Billboard pop charts in the summer of 1960, vaulting the 16-year-old to teen heartthrob status.

After a move to ABC Records, Hyland partnered with the songwriting and production tandem of Gary Geld and Peter Udell for the hits "Let Me Belong to You" and "I'll Never Stop Wanting You." With 1962's "Sealed with a Kiss," a Top Five entry on both sides of the Atlantic, Hyland sealed his reputation as a paragon of youthful innocence and first-kiss romance, perfectly capturing the adolescent zeitgeist in the months leading up to Beatlemania. With 1962's Top 30 hit "Warmed-Over Kisses (Leftover Love)," Hyland introduced elements of country music into his sound, an approach he explored on singles including "I May Not Live to See Tomorrow" and "I'm Afraid to Go Home" and culminating with the 1964 LP Country Meets Folk. While Hyland's music clearly anticipated the folk-rock and country-rock that would blossom in the years to follow, he seemed hopelessly out of touch in contrast to the British Invasion acts now dominating pop radio, and his commercial fortunes rapidly dwindled. Hyland nevertheless forged on, teaming with producer Snuff Garrett and famed session men J.J. Cale and Leon Russell to score a pair of surprise Top 30 hits, "The Joker Went Wild" and "Run, Run, Look and See."