Look at how the tree overlaps the tracks and wall shadow in the initial shot versus the zoomed-in version where the train is coming around. Those shots are from significantly different camera angles. Also compare the first shot to the third shot where he's rescuing. The camera angles are different, and the dog is suddenly moved over on the tracks for the third shot.
Look at the shadows from the cars. Little bits of sunlight come through between cars. But the shadows from the guy's head do not change. The diffuse lighting when in the car's shadow wouldn't leave such a clear head shadow to the left. But no new shadows appear when the sunlight comes between cars. They recorded him moving the dog separately (in the sunlight) from the train and somehow composited them. side-by-side with right-most level-adjusted to show shadows are exactly the same as in the sun.
Prairie 3 points 3.6 years ago
Fake and gay.
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. Also compare the first shot to the third shot where he's rescuing. The camera angles are different, and the dog is suddenly moved over on the tracks for the third shot.
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with right-most level-adjusted to show shadows are exactly the same as in the sun.
Look at how the tree overlaps the tracks and wall shadow in the initial shot versus the zoomed-in version where the train is coming around. Those shots are from significantly different camera angles
Look at the shadows from the cars. Little bits of sunlight come through between cars. But the shadows from the guy's head do not change. The diffuse lighting when in the car's shadow wouldn't leave such a clear head shadow to the left. But no new shadows appear when the sunlight comes between cars. They recorded him moving the dog separately (in the sunlight) from the train and somehow composited them. side-by-side
Also a guy on YouTube looks at shadow issues.
Where's Captain Disillusion when you need him?