Alex North wrote the music, Hy Zaret wrote the lyrics.
The Righteous Brothers version was a huge hit, but it was recorded with far more modest expectations. Phil Spector considered it album filler and released it as a B-side. The single had "Unchained Melody," with no producer credit on the label, as the flip to Gerry Goffin and Carole King's "Hung on You," but many DJs preferred "Unchained Melody" and played that one instead. This infuriated Spector, who subsequently left no doubt as to which side of a Philles single was the A-side.
The famous climax of this song where Bobby Hatfield sings the high "I need your love" line wasn't how the song was written. In our interview with Bill Medley, he explained that Hatfield did two takes of the song, then left. He would often reconsider his performance and come back later to change it, and that's what he did on this track, returning to ask Medley if he could make an edit. This was no easy task, since with a maximum of four tracks to work with, you had to record over part of the original take, but Medley accommodated and Hatfield delivered that soaring vocal line. Said Medley: "I punched that in and he left. He said, 'No, I can do it better.' And I said, 'No, you can't.' [Laughs] And I think it's a big part of that song."
COF 1 points 3.7 years ago
Alex North wrote the music, Hy Zaret wrote the lyrics.
The Righteous Brothers version was a huge hit, but it was recorded with far more modest expectations. Phil Spector considered it album filler and released it as a B-side. The single had "Unchained Melody," with no producer credit on the label, as the flip to Gerry Goffin and Carole King's "Hung on You," but many DJs preferred "Unchained Melody" and played that one instead. This infuriated Spector, who subsequently left no doubt as to which side of a Philles single was the A-side.
The famous climax of this song where Bobby Hatfield sings the high "I need your love" line wasn't how the song was written. In our interview with Bill Medley, he explained that Hatfield did two takes of the song, then left. He would often reconsider his performance and come back later to change it, and that's what he did on this track, returning to ask Medley if he could make an edit. This was no easy task, since with a maximum of four tracks to work with, you had to record over part of the original take, but Medley accommodated and Hatfield delivered that soaring vocal line. Said Medley: "I punched that in and he left. He said, 'No, I can do it better.' And I said, 'No, you can't.' [Laughs] And I think it's a big part of that song."